Tawny Andersen & Heike Langsdorf (eds.)
Choreography as Conditioning: Practicing Futures through Voicing

 

11,2 × 17,7cm, 136p, paperback
ISBN 9789493146310
design and editing: 6’56” 

 

edition of 500
October 2019

€15
First edition add to cart

The books included in the series Choreography as Conditioning are rooted in a cycle of work sessions entitled CASC at KASK, in which students work together with invited guests. They ex­plore the notions of choreography, understood as ways of orga­nizing subjects in their surroundings, and conditioning in both art-making and society-making. Where, how, and by whom are things organized and what kind of landscapes of experience are made (im)possible by the practices we enact and encounter?

Practicing Futures through Voicing, the second book in this series, connects with the first book’s concern with how practices destabi­lize and (re)constitute the concept of conditioning. It does so by questioning how to process life in a way that allows us to create volume, take space, and find our (tone of) voice—first in our immediate surroundings and, through this, in the world as it struggles and moves toward ongoing futures.